Feedback loops abound between digital media and contemporary vinyl culture. The majority of record sales occur online, the download code is a familiar feature of new vinyl releases, and turntables outfitted with USB ports and Bluetooth are outselling traditional models. The manufacture of records cannot be digitized; however, as with most commercial culture today, vinyl traffic is driven by algorithms and thrives on social media. Furthermore, the ascent of streaming over the past five years ...
Other Events
Events
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Eighteen years ago, Israeli author Ruby Namdar arrived in New York, not knowing that he had just taken the first step of an incredible literary, cultural, and personal journey. The novel The Ruined House, winner of the 2014 Sapir Prize, Israel’s most prestigious literary award, was an artistic response to Namdar’s wonderful experience of discovering America, American Jewry, and American Jewish literature. Translated from the Hebrew by Hillel Halkin, The Ruined House was recently published ... |
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Nubian studies scholar, punctum books co-director, and philologist Vincent W.J. van Gerven Oei will discuss how community-focused, scholar-led open access publishing can help launch fields of inquiry and study that otherwise would not have adequate resources to establish themselves, because most publishers would consider the discipline too "small," and thus too risky to commit publishing resources. Part of Vincent’s work focuses on the study of the Old Nubian language, and the development of a new ... |
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Michael P. Breen is the author of Law, City, and King: Legal Culture, Municipal Politics and State Formation in Early Modern Dijon (2007) and numerous articles on lawyers and legal culture in early modern France. In this talk, he will address the following question: “Historians have long believed that lawyers played a central role in the dissemination of legal knowledge and the ideal of the ‘rule of law’ in early modern Europe. Recent scholarship, however, ... |
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Reception for the Department of Art MFA Thesis Exhibition, curated by Bruce Ferguson, President of Otis College of Art & Design. "Duchamp, following Wittgenstein, understood that the world as we know it is a language game. He used chess as a metaphor for “pure” art – a set of endlessly iterated and re-iterated “moves” which together constitute a language of sorts. Not language as a set of fixed or final rules or as a vehicle ... |
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