This talk seeks to complicate the linguistic operations of conceptualism, an aesthetic movement which often privileges the word, by exploring the relationship between form (forma and schema) and perception (opticus and perspectiva) within Harmonia Rosales’ Dinis Dias: Land of the Negros (2022) and Strangler Fig: Adam and Eve (2022). Rosales uses the medium of oil and canvas/wood as a way to reorient the Renaissance concept of disegno—understood as a form that precedes the actuality of ...