Peter Bloom

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Talk: Black Like Moi: Performing Race with Rouch and Cassavetes

2135 Social Sciences and Media Studies SSMS UCSB, Santa Barbara, CA

This paper analyzes interactions between blacks and whites depicted between 1957 and 1961 in Jean Rouch’s I, a Black Man, The Human Pyramide, and Chronicle of a Summer. It concludes with remarks on Shadows, a 1958-59 feature film by John Cassavetes often credited as a breakthrough in U.S. independent filmmaking. In so doing, I mean to explore what Rouch and Cassavetes were trying to accomplish through production practices that bordered on the experimental. Major topics to be raised include: ...